Coppolas Interpretation of Dracula as a Love Story Essay -- Movie Fil

Coppolas Interpretation of genus genus Dracula as a dearest Story The protagonist and story of Bram Stokers novel Dracula have been astray interpreted and adapted in films throughout many years. Despite close a century of time since the initial publication, Dracula has maintained its susceptibility to frighten and mesmerize readers. Francis Ford Coppolas Bram Stokers Dracula however, utilizes the erotic romance of the received novel in order to depict a tragic get laid story. The film accurately follows the general plot of the novel, yet presents the characters in a unique manner that provides for a different appreciation of the characters. Francis Ford Coppolas variation of Stokers novel begins with the presentation of how Dracula became an immortal creature doomed to inclination for the blood of living animals. This story is essential to the interpretation of Dracula in Coppolas film. Dracula was a knight in the sacred army of the church, who left wing his wife in order fight against an invading Turkish army. He was successful in preventing the invasion of the Turks, yet they retaliated by sending his wife, Elizobeta, a letter that falsely reported his death in the troth. Upon hearing this tragic news, Elizobeta committed suicide by jumping into a river. When Dracula returns from the battle he discovers that his beloved wife is dead, and when the church tells him that her soul cannot be relieve because she had taken her own life, he turns against the church and renounces God for betraying him. Dracula strikes the fossa crucifix behind the altar in the church, which causes blood to gush from the stone. Dracula drinks the blood and vows to oppose God for eternity, whereby causing himself to become eternally blamed as a vampire. The mos... ...by comparing Bram Stokers original novel, Dracula, to the film adaptation by director Francis Ford Coppola, the main theme of the movie is discovered to be that Dracula sacrificed himself for his true love. crowd Craig Holte agrees in his statement that parallels the conclusion of this piece In Coppolas vampire world, the world of contemporary gothic fiction and film, the example universe has changed good and evil are no longer opposites, and actions no longer expected consequences, since love conquers all (Holte 87). Works Cited Holte, James Craig. Dracula in the Dark The Dracula Film Adaptations. Westport Greenwood Press, 1997. Stoker, Bram. Dracula. New York Signet, 1992. Bram Stokers Dracula. Screenplay by James V. Hart. Dir. Francis Ford Coppola. Perf. Gary Oldman, Winona Ryder, Anthony Hopkin, Keanu Reeves. Columbia Tristar, 1992.